A daily motion study — typography as celestial bodies.
Thirty-six glyphs, each treated as a small physical object orbiting a fixed point. The brief was self-imposed: one rendered loop a day, no repeats in lighting, no repeats in material.
Built in Cinema 4D + Redshift with a procedural lighting rig that swept through 36 distinct hour-of-day positions across the project. The constraint was the point.


